Showing posts with label Disneyland. Show all posts
Showing posts with label Disneyland. Show all posts

Sunday, November 27, 2011

I Speak For The Tree

Diagram of Disneyland's Plaza Pavilion mural, 1962

A warning. Today's blog post ends with a tragic account of loss and oblivion. So, if you're blissfully content with the aesthetics of your world, and wish to remain so, you might want to skip this one. Otherwise, read on!

I write a lot about Disneyland on this blog, and for many of you, that's why you come here. Disney doesn't pay me to do it. I'm passionate about the art and artists that interest and inspire me, and the classic Disneyland of the 1950s, 60s and early 70s was something very special and unique. There was nothing on earth like it. There were no "DisneyParks®" or global "Where Dreams Come True" marketing initiatives back then - there was only Disneyland. That's the Disneyland that I like, and spend time thinking about. A great deal of "classic" still exists in the park today, in quiet spots, still undisturbed by corporate synergy or the inappropriate placement of Pixar characters. But the best bits of Disneyland exist now only in photographs, old audio recordings, in vintage paper ephemera, and in our memories.

Growing up with Disneyland has been an inspiration to me my whole life, and not just for the obvious things. The inspiration to travel, to explore, to read, to paint, to sculpt are all things that I can attribute back to Disneyland visits. The sounds emitted by the Penny Arcade's antique music machines, the lush greenery of Adventureland and the Rivers of America (a particular novelty to me growing up in the Arizona desert), the folk songs heard in America Sings, and the tingly excitement of voyages through Inner Space and "liquid space" electrified the fine hairs on the back of my neck.

And there were also beautiful hand-made works of public art all through the park that made me want to become an artist myself: from Mary Blair's splendid ceramic tiles that gift-wrapped the corridor of Tomorrowland to the original dioramas in Sleeping Beauty's Castle. But my favorite work of art, by far, was a magnificent cooking-themed mural on a wall inside the Plaza Pavilion restaurant.
Do you remember it??

The exterior of the Plaza Pavilion, presented by Stouffer's. 1962

Finding a good color photograph of the mural is like tracking down Bigfoot, despite the fact that it was in full-view right there in the serving line, with millions of people sliding their cafeteria trays past it for over thirty years.

It's right through those doors. See it?

Well miraculously, on just a regular day in 1993, I happened to have the great foresight to take a picture of it. One solitary picture with my old beat-up Polaroid camera. It was such an afterthought on my part to take a photo that day, since the mural had been there my entire life and , of course, would always be there forever. Right?


And here it is. This photo does not do the mural justice.

Painted against a blazing metallic gold 'foil' background, the mural depicts a tree with its branches carrying an exotic array of foods from different regions of America and Europe. There are teapots and soup tureens, strings of sausages, Danish coffee cakes and a wedge of gooseberry pie. There are frog legs and crawfish, strange cheeses, aspics, and seafood in green gelatin, frothy steins of German hefeweizen, a coffee mug with a sour cream doughnut, and a silver dish of ice cream with a peach-half and a green candied cherry. Behind the food, in evocative dark brown silhouette, are cast-iron stoves and beer kegs, a slaughtered wild turkey and a flintlock blunderbuss, the disembodied head of a steer, a wooden ice cream churn and other archaic culinary implements and imagery that I can't even identify.

The subject matter and the obvious research involved in gathering together this panoramic smorgasbord of gustatory glories is breathtaking. No matter that the Plaza Pavilion, featuring a menu based on Stouffer's popular restaurants, did not offer any of these dishes. The mural conveyed to patrons the idea of fine dining and abundance. Two well-worn English expressions adorn a ribbon trailing through the tree's foliage: "Cooking is the oldest of all arts" and "The proof of the pudding is in the eating."

According to the Imagineering research library, the mural was created by a small team of Disney's finest. The penciled signature of art director Ken O'Connor (who among many contributions created the magical coach in "Cinderella") is on the back of one of the concept sketches. Paul Hartley, another revered art director responsible for many of Disneyland's famous attraction posters is also credited.

And speaking of attraction posters by Paul Hartley, the Stouffer's Pavilion had a great one. A popular image today purely for its inclusion of the Tahitian Terrace and the Enchanted Tiki Room (also intended to be a restaurant initially), the final poster actually references the tree mural!

(Left to right) Two "Stouffer's in Disneyland" poster concepts and the final design.

The tree with coffee and tea pots - and the sour cream doughnut.

In 1997, at the end of the summer, the Plaza Pavilion restaurant closed forever, but the building reopened sometime later as an Annual Passholder sales center. Stopping in to look at the mural, as I often had before, I was alarmed to see that it was gone! The wall was now covered with embossed wallpaper and there were a few framed posters and a cake mold nailed to it.

I expressed my horror to a friend at WDI who informed me that the mural was considered to be a treasure, and had not been removed or painted over, but was actually safe and sound behind the new wallpaper. There had been no budget for the removal of the painting, and not wanting to confuse people coming in to renew their annual passes, Imagineering had carefully placed a cut-to-fit cushion of foamcore board over the painted surface before the temporary outer covering had been put up. Someday, the hope was, either the Plaza Pavilion location could be reborn as a restaurant, or the mural would be rescued. Have no fear.

The AP Center in 2009. The mural sleeps.

And now - the rest of the story.

Fast-forward to this summer, August 2011. After over a decade, the AP Center is finally gone for good, and word goes out that the historic Plaza Pavilion will once more return as a fabulous food service venue. Construction barriers surround the building's facade in preparation for its transformation into a Mary Poppins bakery! Hurrah! Jody and I start talking about the mural to all our Imagineering friends. The WDI art library expresses interest in preserving the mural in their permanent collection if it's not to be included in the Poppins renovation. I toss around the notion of dedicating a blogpost to the mural's history as soon as it's unearthed. My old Polaroid photo now looks especially grainy and discolored as I consider the beautiful new photos I'll take once I finally see my favorite Disneyland work of art again.

On September 1, Jody and I are in the park for an evening event and peer for the hundredth time through a quarter-inch gap in the blue construction wall, and we gasp. There it is!!!

Captured with my iPhone. The mural's final photo.

We can just make out a small portion of the art...the top of the tree, the old familiar coffee cup, the sour cream doughnut...visible above the foam wall board! We jump for joy and I immediately text a photograph of it to everyone we know.

A week and a half goes by, and we don't hear anything. Anxious, I make some calls up to WDI and leave messages. "Heard anything? Can we go over to the park and see it??"

Finally, a friend calls me back, and the news is horrible. The demolition crew on the project were told to remove a wall, and remove it they did. In the process, they uncovered the mural, but not having received any official instructions on what to do with it, totally destroyed it. Something about a concern for asbestos in the walls required all pieces to be deposited into biohazard bags and discarded.

I wish I had a happy ending to this story but I don't. It's taken me several months to digest it myself. As an artist, you go through your whole career hoping to create something beautiful, something that lasts, and that has an impact on those who experience it. The time, effort, and care that goes into creating something, whether for a commercial end or not, has a value. The mural would have been so easy to save, had someone in charge of this project not been so out of touch. You could say "Well, so what. It's just a restaurant mural of food. There are bigger problems in the world." Yes there are. But small losses like this and the attitudes that allow it tend to extend out in a wider arc. I know Disney values their past, even if only to package the past into ways to earn revenue from the most loyal portion of their audience. I don't believe that anyone purposefully intended for the mural to be demolished, but I believe it happened because no one cared to follow up on it, or bothered to put it on the 'to do' list. Budgets are only assigned to new stuff coming in, rarely for the preservation or documentation of old stuff going out. The Plaza Pavilion mural is destined for obscurity, and I can't shake my personal feeling that Disneyland is a lesser place without it.

So, art lovers, I turn to you. There's no hope to document a work of art that no one can take a picture of, unless pictures were already taken. Do you remember the Pavilion mural? Were you freaked out by the frog on the cutting board, as I was? Do you have a shot of the mural tucked away in your old vacation slides? Disney doesn't seem to have any good documentation of it in their official files, and all I've got is this one crummy Polaroid.


*Note: This post is the result of years of searching to find out more information about this artwork, and the long wait for the mural to be uncovered and rediscovered. Now that it's gone, this post and the pictures shared are all that I have. I hope someone out there has a better image of it, or more information on its creation, so together we can keep this lost piece of history alive and accounted for.

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Tuesday, June 23, 2009

Pointy Silver Thing

Can you guess the purpose of the shiny object in these photographs from July 14, 1955?

It's the tip - and final detail - being added to the Disneyland Moonliner Rocket,  three breathless days before the Park's opening.

    I can tell you this much- I would not want this guy's job.  Suspended from a crane 76 feet above the  terra firma of Tomorrowland, he's left his shoes on the ground, preferring sock feet. One soft footstep for man on that polished Kaiser aluminum surface...

Friday, May 15, 2009

Full Tank


More wonderful original artwork for a 1955 newspaper section presenting some of the "many delights and wonders that are yours to enjoy at Disneyland."

Rough Layout

The text for this page:

"Everyone from seven to seventy will thrill to a ride over the Richfield Autopia at Disneyland.  Located in Tomorrowland, the Autopia includes the half-mile modern freeway shown below.  Large enough for adults, the Autopia cars are powered by gasoline engines fueled with New Richfield Ethyl.  


"They are truly fun to drive, yet absolutely safe.  Be sure also to see the exciting, free Richfield Show, "The World Beneath Us," near the Autopia.  Here you'll see a new Walt Disney Studios film in Technicolor and Cinemascope, and the world's most unusual Diorama.

 Final Sketch

"Before you set out for Disneyland, ask your Richfield dealer 
for the colorful, informative Official Disneyland Map.

 


It shows you the easiest ways to reach Disneyland. It's Free -- compliments of your local Richfield dealer."

Hop in!
Autopia Mark I, 1955

Thursday, April 30, 2009

Muse of the Weird and Wonderful


Sun illustration by Rolly Crump, 1966

Artist Rolly Crump was honored this week at Disneyland with a special window on Main Street (it's about time!) and I couldn't be happier for him.
Rolly is a swell guy, and one of my favorite artists in the whole world, not only for his Disney work -  which is groundbreaking - but his independent art as well.   Actually, I'm inspired by everything I've seen him do.
 
Rolly with his Tower of the Four Winds model
for the 1964 New York World's Fair

In Disney circles he is known for his designs on the Enchanted Tiki Room, It's a Small World,  the Haunted Mansion, the Adventureland Bazaar, and to a lesser degree for his legendary unbuilt "Museum of the Weird" - macabre and witty concepts that were decades ahead of their time...and Tim Burton.

Lighting Fixture for The Museum of the Weird, 1966

I love his drawing style of the 1960s: bold, ragged ink line, textured and angular, with colors kept to a minimum. Much of it borders on the psychedelic.  Even more, his art has a sly sense of humor that I'm simply crazy about.

Pride Creations "Push Down" Toys, 
concepted by Rolly, 1960s.

According to Rolly, even while at Disney he always had cool projects going on the side. 
In 1960, a chance meeting with West Coast rock poster pioneer, Howard Morseburg, led to a new venture in printmaking.  Rolly's satirical designs poked fun at Beatnik culture, the coffee houses and jazz clubs of Greenwich Village, Seattle, San Francisco, and the East Bay.  

Poster for Pete's Poop Deck Jazz Club
Seattle, Washington, 1960

His easy-to-read graphics satirized big issues of the era, from drug use to the human rights record of revolutionary Cuba and the Soviet Union.  Though they apparently weren't made in extremely large quantities, the hand-pulled prints were popular with artistic young musicians and hipsters, and were influential on poster design that later dominated the Sixties.

"Green Gasser Kauphy House" Poster
1960

In 1959 Rolly became a show designer at WED (now Walt Disney Imagineering) after Walt saw some of the propellers and mobiles he had created.  

Rolly's Rongo Tiki God concept, 1962

I met Rolly for the first time when Jody and I were co-curating "Tiki: Native Drums in the Orange Grove" at the Anaheim Museum in 1996.  Rolly gave a 2-hour presentation describing the inspiration for his Tiki designs and his other work.  An unforgettable evening.

Jody Daily, Rolly Crump, & Kevin Kidney
 Anaheim Museum Tiki Show, September 14, 1996

In our own projects for Disney, Jody and I have welcomed the opportunity to more fully geek out over Rolly's designs by translating several into merchandise, including his 1967 Tomorrowland Ticket Booth,  Small World Clock facade, and, of course, his Tiki characters.

New Disneyland Tiki Room Rongo Bowl
Rongo Tiki Drink Bowl at Disneyland, 2009

Cheers for Rolly, on his very-deserved tribute down at Disneyland this week. We can't thank him enough for sharing his creativity and utter coolness with all of us.

Thursday, April 23, 2009

Birthday Wishes


Small World Figure #1250 - Spanish Dancer

Our friend Alice Davis celebrated her birthday this week, and we'd like to dedicate this post to wishing her much happiness and good health!  Happy Birthday, Dear Alice!

Small World costume designer Alice Davis and Mary Blair in 1964.

Saturday, April 18, 2009

Toad in the Hole


We've just received word that Mr. J. Thaddeus Toad, the fabulous motorcar-stealing amphibian from Kenneth Graham's classic Wind in the Willows, is deceased and buried in - of all places -  the Haunted Mansion's pet cemetery at Walt Disney World.  Gosh, we didn't even know he was sick!

Reportedly, the graveyard statue (seen in the gloomy photo above from GhostRelationsDept.com) is Disney's tribute to Mr. Toad's Wild Ride, the much-loved WDW attraction which closed forever in 1998.  

But wait a minute!
That's our Mr. Toad Big Fig,  painted over to look like moldy stone (kinda) and stuck amongst the weeds!  Well, I suppose a tribute's a tribute (even a cheesy one done on a zero budget) and Jody and I are nonetheless strangely flattered by WDW's gesture.

 Our Mr. Toad was released in 2004, and though we pushed the sculpt through seemingly endless revisions to get his likeness on model,  Toad is my personal favorite of all the character figurines we've done...and the only one displayed in our home.
Mr. Toad Big Fig Sculpt Revisions
As for Toady's appearance at Walt Disney World's Haunted Mansion, let's hope, as Mark Twain once famously said, "The rumors of my death have been greatly exaggerated."

Tally Ho!

Sunday, February 22, 2009

The Refrigerator of Tomorrowland

CIRCARAMA, Disneyland's original motion-picture-in-the-round, was a gotta-see-it Tomorrowland attraction from Day One in 1955.
A spectacular 360 degree tour of the American West - spanning the Sunset Strip to the Grand Canyon - viewed on eleven screens in a giant circular theater. First-time visitors must've been utterly bowled-over by the effect.

But that's not why I've brought you here today. Oh, no. We're going to find another wonder of early Tomorrowland: the FOODARAMA!


Got your ticket?
Follow me!

As your eyes adjust to the indoor lighting, here's our first view of the theater. Not quite what you expected? Yep, there really are five automobiles parked in here! All sparkly fresh 1955 models by American Motors. But what's really surprising is the absence of ropes or stanchions protecting the displays! Evidently, people of the Fifties were well-behaved and respectful of everything.

Moving to the center of the room, we pass a sporty two-door Metropolitan within our reach. (Well, what do you know... there are fingerprints all over it!)

Glancing back at the entrance, half of the room looks like a Nash dealership...
...while the other half resembles an appliance center!
Let's look around. Try to resist the temptation to tug the door handles, or twist all the knobs on the washing machines, okay?

And *Gasp* there it is! The fabulous new FOODARAMA by Kelvinator!!


The Rolls Royce of Refrigerators


The "last word in foodkeeping," the futuristic FOODARAMA can hold 166 pounds of meat in its freezer, has a handy Breakfast Bar for eggs and bacon and 2 pitchers of juices, Cheese and Butter Chests, an aluminum foil dispenser, and even an unrefrigerated bin for bananas!

Imagine that! A special bin in your refrigerator that is unrefrigerated! Now that's something!

And the FOODARAMA offers much more. You see, not everybody here in the 1950s can afford a kitchen full of Kelvinator appliances like Donna Reed or June Cleaver have on television. A quarter of American families in 1955 (approximately 50 million people) were poor working class folks - people who had saved their way through the war, and not terribly long before that, had faced the hard times of the Depression.

Extravagances such as the FOODARAMA embodied optimism for a tomorrow stuffed to the rafters with bountiful plenty. Even Richard Nixon, in his famous 1959 "kitchen debate" with Nikita Khrushev, asserted that the superiority of capitalism over communism was not in ideology or military might but in the comforts of the suburban home, "designed to make things easier for our women."

Author Stephanie Coontz in her excellent book The Way We Never Were comments, "Acceptance of domesticity was the mark of middle-class status and upward mobility." By the mid-fifties the "glorification of self-indulgence" in family life was at the center of the postwar American dream.


Okay, shush now, everybody. The movie is about to start, and it's a good one!
As the lights begin to fade, I wonder...will the little light inside the FOODARAMA stay on?


Tuesday, February 10, 2009

Happy Birthday Mr. President

                                     Vintage newspaper ad, 1963

 "A Look Behind the Scenes Walt Disney's Great Moments with Mr. Lincoln"  
Free Souvenir Flyer from Disneyland, 1965/1966.  
                               

Monday, February 09, 2009

Daytime Fun! Night Time Magic!

                                Newspaper ad, Summer 1963

Newspaper ad, 1961

Monday, February 02, 2009

New Fun for '61!

                                Vintage newspaper ad, Summer 1961

Monday, October 06, 2008

Swiss Family Treehouse...25¢


Disneyland Adventureland Ticket Signs, 1960s

The ticket and information kiosks that had dispensed pastel attraction tickets to Disneyland visitors for nearly 30 years,  permanently shuttered their little windows in 1982.  Though a few of the original ticket booths still exist in the park (Alice in Wonderland's giant mushroom, for instance) others, like this beautiful little thatched hut, have disappeared forever. 

Disneyland Adventureland Ticket Booth, 1960s

I really like these compact microcosms of themed architecture.  Did you notice the Tiki Room drum attached to the pole in the photos above? Branching out from the drum are two gas torches to spread a flickering glow over the area after sundown.

Disneyland Adventureland Ticket sign 1960s

Disneyland Adventureland Ticket Sign, 1970s

Ten attractions for $3.75!

Disneyland Adventureland Ticket Window, 1970s

I'd like to buy $10 worth of Swiss Family Treehouse, please.